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At the smallish Menlo-Atherton Performing Arts Center, the proximity of the audience to the performers allows for the emotional involvement of the viewer, says Shiveley. She hopes that intimacy, accessibility, and a sense of being part of the community will be a winning combination for the young company. “We have an opportunity to create a much larger audience if we change the expectation of what they’re going to experience,” she says. Shiveley likes to be part of the audience at the company’s shows and mingles with the crowd during intermission to hear their comments. “I feel so proud to be part of this. People are so moved,” she says, somewhat emotionally. “They feel connected to people around them and to their own humanity.”.

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Talking about the Berkeley programs, Muti said that each piece represents a facet of his musical interests. He conducted the complete Bruckner and Brahms symphonies in Chicago last season; the Mozart, Rossini, Ogonek, Bruckner, Brahms, Schubert and Schumann works were performed in the orchestra’s season-opening concerts last month. The Mozart concerto, he notes, gives West Coast audiences a chance to hear Williamson – “one of the greatest clarinet players in the world,” he said. Muti also praises Ogonek’s score, which he conducted in its world premiere in Chicago on Sept. 28. “All These Lighted Things,” which takes its title from a poem by Thomas Merton, is subtitled “three little dances for orchestra.” It’s complex, rhythmic, and Muti, whose previous resident composers in Chicago were Mason Bates, Anna Clyne and Samuel Adams, says that Ogonek is an original compositional voice. “She has the courage – the audacity – to write pieces that can be considered melodic,” he said. “This work had a big success with the public, and the orchestra loved it – and when musicians love to play a piece that is not easy, it’s a good sign.”.

“Steve would be so proud to see that the show is still thriving, still going strong all these white or ivory linen baby girl shoes - ballet flats - toddler girl shoes - easter shoes - christening shoes - flower girl shoes years later,” says his widow, Jo Schuman Silver, who has produced the show since his passing, “It’s his vision and his legacy, and we are just the keepers of the flame.”, Indeed, fans of the show credit the redoubtable Jo Schuman Silver with keeping the farce torch lit through the years, “A huge part of the lasting appeal of ‘Beach Blanket’ is the incredible heart, generosity and wit of Jo Schuman Silver,” says Carey Perloff, artistic director of San Francisco’s American Conservatory Theater, “I never had the pleasure of knowing Steve Silver, but Jo has clearly taken his torch and run with it, in all the best possible ways, She has made sure that the show is topical and hilarious without being too trendy or literal, that it has hope and joy while still managing to laugh at itself, and that it is always impeccably produced.”..

“Prior to that, flute was played in tango, but they realized it could be substituted with a violin,” she said. “It was enriching for the orquestras and a beautiful way for Jews to integrate into the Argentine culture.”. In one of the songs on “La Media Cuadra Inmortal,” the singer walks through her old neighborhood, reminiscing about landmarks such as the movie theater and cafes and recalling the children that raced in the streets. It also pays homage to the many immigrants who settled in Buenos Aires — Italians and Russian and Polish Jews — who each left an indelible imprint on Argentine cuisine, music, literature and movies.

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