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“Every Body’s Beautiful” Essay Contest: Eating Disorders Resource Center is accepting entries for its fifth annual student essay contest. Students in grades 6-12 are invited to write about the meaning of beauty and to answer questions about how the media and society can affect self-esteem and body image. Cash prizes in each age category, and winners will be recognized on May 3 at the Strong Girls, Strong Women Leadership Conference. Essays will be accepted through March 14. Visit edrcsv.org or call 408-356-1212.

Nineteen, “Big Band Christmas,” Theatre on San Pedro Square, 29 N, San Pedro St., San Jose, The group Nineteen returns with its concert of holiday music done big band style, Special guest Tony Lindsay will also perform, 8 p.m, Also 2 p.m, Dec, 14, $13-$38 at tabardtheatre.org, Karen Gabay’s “The Nutcracker,” San Jose Center for the Performing Arts, 255 Almaden Blvd., San Jose, Ballet San Jose Silicon Valley presents Karen Gabay’s staging of the holiday classic inspired by the traditional E.T.A, Hoffmann story, Gabay was a longtime dancer with the company, The production, which premiered in 2012, dance svg files for cricut ballet mama svg mom life slipper dancer proud family sign pointe shoe ballerina recital word print si features nearly 100 performers, sets by Paul Kelly and costumes by Broadway legend Theoni V, Aldredge, 1:30 and 7 p.m, Also various times Dec, 14, 19, 20, 21, 23, 26, 27, 28, $25-$110 at balletsj.org or 408.288.2800..

Bielawa grew up in the Lakeside Village neighborhood near San Francisco State University, where her father Herbert Bielawa taught musical composition. (Some of this weekend’s participating band directors are his former students.) She attended Aptos Middle School in San Francisco (its band is among the “Crissy Broadcast” ensembles) and joined the San Francisco Girls Chorus when she was 12. (She now is artistic director of the chorus, which also is part of “Crissy.). After graduating from Lowell High School (whose orchestra is part of the project, too) in 1986, Bielawa studied music at Yale, then made her mark in New York, singing with the Philip Glass Ensemble (she is still a member) and building her reputation as a composer.

Inside the gallery, the work of 20 artists reflects Lederer’s fine and swiftly opportunistic collecting talents, She used a vacation in London for one discovery, held another work in her memory bank for four years and raided the collection of Dorothy and George Saxe, longtime Bay dance svg files for cricut ballet mama svg mom life slipper dancer proud family sign pointe shoe ballerina recital word print si Area collectors, for another, Nick Cave’s “Untitled (Soundsuit),” the Saxes’ mixed media mannequin on loan from the Fine Arts Museums of San Francisco, is one of the core pieces she had in mind to anchor the show, Lodged in Lederer’s memory since 2009 was Beverly Rayner’s “Accretion,” a tremendous housecoat made of one woman’s letters and photographs with a tail that sprawls across the gallery floor, creating a paper biography dating back to the 1890s..

In the third movement, cellist András Fejér’s keening rhapsodies were acid-tinged and weirdly unnerving. They ushered in the most sonically vivid moments thus far — subtle music, like a clear transmission from another galaxy. Let’s call it Bartók’s Brain. In 1939, on the eve of World War II, Bartók, 58 years old and living in Budapest, composed the Sixth Quartet. Sunday, violist Geraldine Walther sang out the opening lamentation, an expression of the composer’s despair and cynicism as he looked out at Europe. He marked his score with the word “mesto” (“sad”) to indicate the mood of the piece, which grows slower with each movement, receding and receding. The Bible speaks of a “world without end,” Bartók says, “This is the end.”.

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